Skills

1. 3d Animation (Creation of animated elements in 3d to include in any commercials, movie, or animated features.)
2. 2d Animation
3. Editing (Cutting and organising shots with dialogues and music together as a whole.)
4. Compositing (Merging and blending any elements, 3d and real footages, together to create the final scene for a movie.)
5. Special effects (Smoke, water, explosions, anything which requires special effects.)
6. Research and development
7. Matte Painter (Create paintings usually to extend real footage background when impossible to find on location.)
   

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3d animation

3D computer graphics are works of graphic art created with the aid of digital computers and 3D software. The term may also refer to the process of creating such graphics, or the field of study of computer graphic techniques and related technology.

3D computer graphics are different from 2D computer graphics in that a three-dimensional representation of geometric data is stored in the computer for the purposes of performing calculations and rendering 2D images. Such images may be for later display or for real-time viewing.

3D modeling is the process of preparing geometric data for 3D computer graphics, and is similiar to sculpting, whereas the art of 2D graphics is analogous to photography. Despite these differences, 3D computer graphics rely on many of the same algorithms as 2D computer graphics.

In computer graphics software, the distinction between 2D and 3D is occasionally blurred; 2D applications may use 3D techniques to achieve effects such as lighting, and primarily 3D may use 2D rendering techniques.

Film Editing

Film editing is the connecting of one or more shots to form a sequence, and the subsequent connecting of sequences to form an entire movie. Film editing, by definition, is the only art that is unique to cinema and which defines and separates filmmaking from almost all other art forms (such as: photography, theater, dance, writing, and directing). The job of an editor isn’t merely to mechanically put pieces of a film together, nor to just cut off the film slates, nor merely to edit dialogue scenes. Film editing is an art form which can either make or break a film.[1] A film editor works with the layers of images, the story, the music, the rhythm, the pace, shapes the actors' performances, "re-directing" and often re-writing the film during the editing process, honing the infinite possibilities of the juxtaposition of small snippets of film into a creative, coherent, cohesive whole.

In visual effects post-production, compositing refers to creating new images or moving images by combining images from different sources – such as real-world digital video, film, synthetic 3-D imagery, 2-D animations, painted backdrops, digital still photographs, and text.

Compositing techniques, while almost exclusively digital today, can be achieved by many means. On-set in-camera effects have been utilized since the advent of film such as in the 1902 A Trip to the Moon. Optical compositing is the often complex process that requires an optical printer to photographically composite the elements of multiple images onto a single filmstrip. However, since the 1990s, digital techniques have almost completely replaced what was once the only method of post-production compositing.

Compositing is used extensively in modern film and television to achieve effects that otherwise would be impossible or not cost-efficient. One common use for compositing is scene or set extension which enables filmmakers to shoot on a relatively small set and create the impression of a significantly different location by adding additional surrounding and foreground imagery. A common tool to help facilitate composites is the bluescreen, a backdrop of a uniformly solid color--usually blue or green--that is placed behind an actor or object. During compositing, all areas of a frame with that color are removed and replaced, allowing the compositor to place the isolated image of the actor or object in front of a separately shot or synthetic background.

In feature film, movies are generally shot on 35mm film. For modern compositing, the film has to be digitized with a film scanner. It is then transferred to a computer where it can be edited. The compositors gather all the separately shot images and, with a compositing platform or software, combine elements of each image to achieve a resultant shot. As a result, a single frame of the finished shot may contain from anywhere between two to many hundreds of images from footage shot months or even years apart.

Special Effects

Special effects (abbreviated SPFX or SFX) are used in the film, television, and entertainment industry to realize scenes, such as space travel, that cannot be achieved by live action or normal means.

They are also used when creating the effect by normal means is prohibitively expensive; for example, it would be extremely expensive to construct a 16th century castle or to sink a 20th century ocean liner, but these can be simulated with special effects. With the advent of computer graphics imaging, special effects are also used to enhance previously-filmed elements, by adding, removing or enhancing objects within the scene.

Many different special effects techniques exist, ranging from traditional theater effects or elaborately staged as in the "machine plays" of the Restoration spectacular, through classic film techniques invented in the early 20th century, such as aerial image photography and optical printers, to modern computer graphics imagery (Computer generated imagery|CGI). Often several different techniques are used together in a single scene or shot to achieve the desired effect.

Special effects are traditionally divided into two types. The first type is optical effects (also called visual or photographic effects), which rely on manipulation of a photographed image. Optical effects can be produced with either photographic (i.e. optical printer) or visual (i.e. CGI) technology. A good example of an optical effect would be a scene in Star Trek depicting the USS Enterprise flying through space.

Matte Paintings

Matte paintings are used to create "virtual sets" and "digital backlots". They can be used to create entire new sets, or to extend portions of an existing set. Traditional matte painting is done optically, by painting on top of a piece of glass to be composited with the original footage. Nowadays, matte painting is done in computers with the use of a tablet as a drawing device. In a digital environment, matte paintings can also be done in a 3-D environment, allowing for 3-D camera movements